Monitoring Vols message boards for drama, trends, analysis and headlines before they happen.

ennessee could be good. Or they could be bad. We won’t know until the ball kicks off, but even then we have no way of knowing.”

— OldBullsGapVol

Of all the things in this world that should unite Tennessee fans, Dolly Parton ought to be the easy one. Tennessee football certainly does not unite. The REDACTED message board has proven that for years.

Tennessee will wear an orange butterfly helmet sticker with “Dolly” in white script on the back of every helmet this season. The school also plans to play a Dolly Parton song during the fourth-quarter introduction Saturday.

Nobody knows the song yet, or whether Saturday is a one-game tribute or a new permanent tradition.

There was almost nothing to argue about.

The board made it four pages.

The butterfly went first.

Otis789 said it made the helmet look soft. George Cafego said the Tennessee helmet was pure and should carry only the Power T, the stripe and an American flag. He has opposed every other decal since an equipment manager put an inspection sticker on his Buick in 1986.

WBYA said Alabama would see the butterfly and run directly at it.

Someone else said it clashed with the orange.

The butterfly is Tennessee Orange. PMS 151. Hex #FF8200.

This data-point did not help things.

Supporters pointed out that Dolly was born in East Tennessee, became one of the most recognizable Tennesseans on earth, gave millions of children books and once sang “Rocky Top” at Neyland.

Pong876 typed with the tenderness and calm of a man gently folding warm laundry.

“Dolly is East Tennessee. She is mountain music, Sunday dinner and a book in a child’s hands. If Neyland has room for anybody, it has room for her.”

This was dismissed as “beta” and emotional reasoning.

BookOfHeupel_3:16 said Saturday should feel like a Sand Mountain Baptist homecoming, when churches in Chattanooga, Knoxville and Birmingham empty out and every little Baptist church from Flat Rock to Henegar fills with people who still remember where they came from.

“Neyland—N-E-Y-L-A-N-D—is our spiritual epicenter, and our prayers, our voices, our choirs and our hymnals, with Dolly leading the singing, are how we call down victory and keep the long darkness from returning.”

LawVol warned that the Dolly fight could rupture “the redneck social contract between traditionalists and newcomers in the Tennessee fan base.”

Nobody knew the contract existed. George Cafego said it was probably signed when they built the upper deck.

Then came the song selection.

Which song? Nobody knew. This improved the discussion considerably.

“9 to 5” lacked football energy. “Jolene” sounded like surrender. “I Will Always Love You” would make the student section nap. “My Tennessee Mountain Home” was acceptable in theory but apparently failed an undisclosed beats-per-minute requirement.

“Rocky Top” started a separate fight over whether a song becomes a Dolly song when Dolly sings it.

The old grudges surfaced.

Two men spent the evening arguing about authorship, performance rights and Elvis. Neither knew which song Tennessee had selected because Tennessee had not selected one publicly.

OldBullsGapVol uploaded a three-column comparison of fourth-quarter songs, labeled every conclusion “TBD” and said he was “not necessarily opposed” to Dolly pending a tempo analysis.

George Cafego blamed Dollywood traffic for a bad Saturday outside Pigeon Forge in 1997.

He came back later with a warning: “Go ahead and laugh, fellas. We turned on Johnny Majors. We ran off Phillip Fulmer. Then we spent fifteen years hiring men who needed name tags. Now some of you are talking ugly about Dolly Parton over a song and a butterfly. I’ve lived long enough to know when this program is inviting another curse. Be careful.”

HolyLandVol said he had never forgiven Dolly and “Steel Magnolias” for making his first wife cry in front of him.

The fourth-quarter music itself had already survived a regime change. Tennessee used Garth Brooks’s “Friends in Low Places” for more than five years, then replaced it with Morgan Wallen’s “The Way I Talk” in 2024.

A few posters wanted Garth back.

Garth was ruled out on familiar grounds: the missing persons, the stacked bodies, the families still waiting for closure.

For the unusually literal: this is a Tom Segura/Your Mom’s House bit that escaped containment and colonized Garth’s social media. Brooks is not a serial killer. Garth’s girth merely suggests he may have eaten the evidence. Watch the whole ridiculous saga.

By the end, choosing Dolly had become proof that Tennessee hated football, helmet stickers meant Tennessee hated tradition, and objecting to the objections meant somebody hated America.

Then Kwyjibo asked the only useful question in the thread:

“Do you enjoy anything?”

No answer was provided.

These bastards could carry a grudge for forty years, the fate of the republic and four pages of their own bullshit.

Yet, Dolly Parton had become a threat to Tennessee football.

The men typing from recliners, wrecking sleeves of Ritz crackers and drinking Diet Mountain Dew from 1998 national championship stadium cups, remained above suspicion.


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